ANNIVERSARY FEATURE
Do We Have A Crediting Problem?
When pop stars score films, the conversation follows them. The composers who actually wrote the music are rarely part of it. Harry Levin on an industry habit, the culture has stopped questioning.
Season Three of Euphoria Is Missing Something and It's Labrinth
What happens when the music that made a show leaves with the person who made it?
Portishead on Screen: Our Top 10 Soundtrack Moments
From cult horror to prestige drama, directors and music supervisors have been reaching for Portishead for thirty years. Here are some of our favourites.
Everyone Starts from Somewhere: Daniel Pemberton
From a cassette recorder in a Surrey bedroom to the biggest original film of 2026, Daniel Pemberton has always known how to build a world from unexpected materials.
Anamnesis: A Film by Randall Dunn & Mark Dorf
Blank Mag presents the premiere of Anamnesis, a new audio-visual work from producer and composer Randall Dunn and visual artist Mark Dorf. Two practitioners whose collaboration here feels like an inevitable convergence.
Laurel Halo's descent into the Midnight Zone
The most remote layer of the ocean features freezing temperatures and almost total darkness, a threatening, yet tranquil environment lovingly rendered in the new film, ‘Midnight Zone’, by artist Julian Charrière.
The Brontë Sound That Modern Cinema Keeps Recreating
The Brontë Sound That Modern Cinema Keeps Recreating
Carly Paradis on Life, Tour, and Composing Beyond the Studio
Carly Paradis, the composer behind Line of Duty, swaps studio solitude for global stages with Nick Cave and the Bad Seeds, proving that variety across stage and screen sharpens her sound even more.
Parisian Visionary, Crayon, Releases Debut Album ‘Home Safe’ on Erased Tapes
“How I started making art, it was always about drawing what I was hearing.”
Sarah Schachner on Scoring ‘Predator: Badlands’ and Reclaiming her Creativity
Sarah Schachner on Scoring ‘Predator: Badlands’ and Reclaiming her Creativity.
Alex Hislop on Creative Risk and the Art of Audio for Brands
GETME! owner, Alex Hislop, reflects on the beauty and shifting landscape of music and sound design in modern advertising.
Theodore Shapiro on Unlocking the Music for Severance
The latest episode of The Blank Chat sits down with Emmy-winning composer Theodore Shapiro for an intimate and wide-ranging conversation about his remarkable three-decade career in film and television.
Emilie Levienaise-Farrouch’s Artistic World in Film and Beyond
Emilie Levienaise-Farrouch on collaboration, creative patience, and the quiet power of staying a little bit weird.
Jeff Russo on Scoring Alien: Earth and What’s Made This His Most Defining Year
In his most defining year yet, composer Jeff Russo opens up about the creative rituals and artistic risks behind his ever-expanding body of work.
Cornel Wilczek is Adding Tonality to the Voice of Horror
Cornel Wilczek shares inside his studio space and talks through how he approached the score for ‘Together’.
A Curator of Sound and Sustaining Creation with Randall Dunn
Producer and studio visionary Randall Dunn talks touring, risk, stewardship, and the human side of sonic innovation, charting a path for music that thrives beyond trends.
Faithless’s Sister Bliss On Collaboration, Creativity, and Honouring Maxi Jazz
Faithless co-founder Sister Bliss reflects on the band’s fearless spirit of collaboration, the enduring influence of Maxi Jazz, and why electronic music should still nourish the soul as much as it moves the dancefloor.
Deftones on Screen: Our Top 10 Soundtrack Moments
Deftones have always skirted easy definitions - a band from Sacramento that forged a sound as restless and textured as the city they came from.
5 Studio Staples with James Everingham
James Everingham reveals the five essential studio tools he uses to create his innovative film and TV scores, including his work on Apple TV+’s Chief of War with Hans Zimmer.