FEATURE

“The main priority of my life is creating and helping people make great records.”

GALLERY

NEWS

Mac Quayle, the composer behind the iconic music of American Horror Story, returns for Netflix’s Monster: The Ed Gein Story

PODCAST

Kaitlyn Aurelia Smith Gushes with Electricity

“Danny Elfman was my entry point into film music.”


What does it sound like when legacy meets reconciliation? In our latest interview, James unpacks the moments that have shaped his creative DNA.


Monthly Playlist

Our July 2025 playlist is curated by Music Supervisor, Trygge Toven.

This playlist sidesteps nostalgia for nostalgia’s sake; instead, it reframes classic cuts from the mid-20th century as sharp, cinematic tools. It’s less about retro comfort and more about how context can flip a song’s meaning, think Nat King Cole’s “Orange Colored Sky” set against apocalyptic visuals, or the Ink Spots’ bittersweet croon refracted through the lens of Fallout’s vaults.


Loren Sunderland Loren Sunderland

5 Studio Staples with James Everingham

James Everingham reveals the five essential studio tools he uses to create his innovative film and TV scores, including his work on Apple TV+’s Chief of War with Hans Zimmer.

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Loren Sunderland Loren Sunderland

The Magnificent Disruption of Anna Lapwood

The organist on finding partnership with her instrument, building authentic community through TikTok, and why classical music doesn’t need to change, it just needs the right platform.

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Loren Sunderland Loren Sunderland

The Expanding World of Inon Zur

Composer Inon Zur discusses his journey from blockbuster games to Imagine Dragons, and his quest to evoke emotion through music, no matter the medium.

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Loren Sunderland Loren Sunderland

A Morning Spent with Harpist Lara Somogyi

In the stillness of Joshua Tree, Lara Somogyi reflects on redefining the harp, collaborating with artists like Bonobo and Bat for Lashes, and the joy of making music that surprises and connects.

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INTERVIEW

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CULTURE

COVER FEATURE

Kaitlyn Aurelia Smith finds Inspiration in Sound and Place